Michael MacLean

Participatory Artist & Designer

Kjipuktuk (Halifax, NS)

Michael MacLean

Michael MacLean is a participatory artist and designer whose practice spans public art, installation, sculpture, and community-led design. Based in Kjipuktuk (Halifax, NS), Michael is co-founder of OSO Planning + Design, where he leads projects that blur the boundaries between art, architecture, and engagement. His work is rooted in place-based collaboration and explores how co-creation can foster belonging, storytelling, and transformation.

Influenced by his background in fine arts and design-build, Michael works across a wide range of materials and methods, moving fluidly between analog and digital making. His practice often combines reclaimed materials, modular systems, digital fabrication, and textile-based techniques to create immersive, human-scale installations. He is particularly interested in participatory art-making with youth, artists, and communities, centering shared process as a way to build skills, exchange knowledge, and use making as a form of collective empowerment.

Michael holds a Master of Environmental Design Studies (Design-Build) from Dalhousie University and a BFA in Design from Concordia University. His artistic approach weaves together research, fabrication, and facilitation—building connections between people and place through shared acts of making.

OSO Planning + Design

As co-founder of OSO, Michael co-leads the studio’s design and planning work, with a focus on advancing participatory design across all project scales. He provides strategic and hands-on leadership across a diverse portfolio of projects in public space, architectural design, and participatory design-build. He takes primary direction on design-first projects while supporting planning work, helping to shape OSO’s collaborative and community-driven practice. His work is rooted in a commitment to capacity building and inclusive design processes that foster agency, learning, and connection. In addition to project leadership, Michael manages OSO’s operations, finances, and HR, sustaining the business and fostering a strong studio culture.

Selected Work

Artist CV

Education

2019
Masters of Environmental Design Studies — Design-Build
Dalhousie University, Halifax
Thesis: Design-Build As An Approach for Community-Focused Projects: Building and Adapting in a Northern Community
2017
Bachelors of Fine Arts — Design
Concordia University, Montreal

Awards / Grants

2025
EDRA Great Places Award, Art Category — International recognition for Future Fragments
2023
Urban Design Award for Community Initiatives, Halifax Regional Municipality
2022
VRM Avatar Challenge Winner, Monaverse
2020
Digital Originals Grant — Canada Council for the Arts
2018
Rising Youth Project Grant
2018
Association of Yukon Communities Scholarship
2018
Doreen & Herb Wahl Memorial Scholarship
2017
The Design and Computation Arts Award for Outstanding Contributions by a Student, Concordia University
2017
Honorable Mention, 1st Annual Air North First Light Image Festival Photo Contest, for “Carmen Obscura — North End Knockout”, Whitehorse, YT

Exhibition

2024
The Art of Mining — Art-Based Land Remediation
2024
Community Print Night Co-Leader, Every One Every Day Kjipuktuk
2024
WEave Artist, Sappyfest, Sackville NB
2023
Beacon Artist, Future Fragments, Nocturne Art at Night, Halifax, NS
2022
Lead Artist, Blooming Seating, Downtown Halifax Business Commission
2020
Beacon Artist, Impossible Timescale of Trees, Nocturne Art at Night, Halifax, NS
2020
Plant Encounters Exhibition, Dawson City, YT
2020
Water — A Multimedia Art Show, 1313 Hollis Gallery, Halifax
2019
Dalhousie Alumni Art Show, Dalhousie Art Gallery, Halifax
2019
Riverside Gathering/Warming Pavilion, (s)Hiver Winter Arts, Dawson City, YT
2018
Organicism in Architecture, Dalhousie Faculty of Architecture, Halifax, NS
2017
Northern Exposure, Bombay Peggy’s, Dawson City, YT
2017
En Chair et En Bois, La Salle Jeanne Vanasse du Cégep de Trois-Rivières, Biennale internationale d’estampe contemporaine, Trois-Rivières, QC
2017
En chair et en bois: Steamroller Printmaking Event, Biennale internationale d’estampe contemporaine, Trois-Rivières, QC
2017
Dawson Prints, Confluence Gallery, Dawson City, YT
2017
May Contain, Graduating Design Exhibition, Concordia University, Montreal, QC
2017
Les Civic Commons du quartier des grands Jardins, Concordia University, Montreal, QC
2017
INTERIM: Concordia University Undergraduate Studio Arts Showcase, Old Ecole Des Beaux Arts, Montreal, QC
2017
Autre Bare De La Rue, Centre Communautaire De Val David, Val David, QC
2017
Autre Bare De La Rue, POPOP Gallery, Montreal, QC
2016
Riverside Arts Festival, Klondike Institute of Arts and Culture, Dawson City, YT (Collaborative Installation: Michael MacLean and Elizabeth Xu)
2016
Dawson City Print and Publishing Symposium, Klondike Institute of Art and Culture, Dawson City, YT
2016
Esprit D’Hiver, Centre D’Exposition de Val-David, Val-David, QC
2016
Pedal to Prints and Pies Exhibition, Lauretta Jean’s Gallery, Southern Graphics Council International Conference, Portland, Oregon

Residencies

2025
Resident Designer/Artist, Le festival turbulante, Sèvremoine, France
2024
Community Print Night Leader, Every One Every Day Kjipuktuk
2024
WEave Artist Residency, Struts and Sappyfest, Sackville NB
2024
Printmaker in Residence, Every One Every Day, Halifax, Nova Scotia
2017
Gravity Press Experimental Print Shop, North Adams

Teaching

2021–2024
Dalhousie School of Architecture Free Lab — Undergraduate + graduate design-build course. Co-taught with OSO, Jacob Caines (21) and Jen Frail (22)

Publications

2019
Bamboo as Material Organicism, Resurgence of Organicism — Dalhousie Architectural Press
2017
Paper Jam Catalog Vol 2, Annual Publication Concordia Student Print Association
2016
Paper Jam Catalog, Annual Publication Concordia Student Print Association
2016
Cover & Feature Photos, Klondike Sun, Vol 27 No. 9
2016
Photo Feature, Dawson City League Of Lady Wrestlers, Hello Giggles, Article by Maria Sol Suarez Martinez
2015
Photos in North of Ordinary, “Riverside Arts Festival,” by Meg Walker, Vol 9, Issue 2